eiletz ortigas | architects was founded working in the field of exhibition design, management, build up and dismantling. With 30 years of experience, we have specialised in providing a turn-key service to National Participations at international exhibitions.
- all
- public
- residential
Working hand in hand with the curatorial team, we develop and propose tailored architectural and technical solutions that translate curatorial ideas into feasible and impactful exhibition experiences.
Turn-key Service
From initial planning to the deinstallation and shipping.
Circular Exhibition Solutions
Reuse-oriented design, enabling materials to go beyond a single exhibition.
Exhibition Design & Planning
Shop drawings and build-up planning
Exhibition Build-up
Bringing concepts to reality.
Technical Consultancy
Expert guidance, permits and liaison between all parties
Project Management
On-site exhibition management and daily operations.
Lighting & Technical Equipment
Rental of sound, lighting and audiovisual equipment.
Logistics
Reliable logistics and transportation.
Graphic & Printing
High-quality printing solutions.
Exhibition Staffing
Professional visitor assistance, exhibition supervision.
Opening and Events
Planning and coordination of openings, receptions and events.
Tailored Services
Flexible, customised solutions to each project.
A curator is expected to act as a thinker, a writer, a content producer, a manager of projects and, above all, a provocateur.
The one-of-a-kind Master in Curatorship of Architecture and Design aims to train professionals to be capable of developing curatorial projects with a solid foundation in theory, critical thinking, and strategic knowledge of exhibition making. The goal of the programme is to stimulate innovative curatorial approaches aimed at generating new ways of understanding, discussing and presenting our built and natural environment.
The program
The module will focus on the historical evolution of “curatorship” and exhibition making, with a close attention given to contemporary case studies in the fields of architecture and design. A comparative analysis of exhibition making between art and architecture will form the area of discourse for seminar discussions.
The module will be devoted to the purpose of the exhibition, examining ideas related to the nature of the object, the narrative of the subject, and the experimental potentiality of format. Key areas that will be discussed include: representation and presentation in architecture and design, and the strategies and languages for display and communication within a wide variety of media.
The module will be centred in subjects related to the museum, large international exhibitions and public spaces, and the spatial dynamics and behaviour of the public – including the role of digital platforms and social networks. Part of this module will be framed as a laboratory in which skillsets acquired thus far will be applied in order to analyse and verify the strategies outlined in the exhibitions of La Biennale di Venezia during scheduled group visits.
Internship
Students will have to do a three month-long internship in one of a broad range of possible institutions, organisations, and companies, in Italy or abroad. This placement can be within museums, cultural institutions, with autonomous professionals, online publishing platforms, or with print media. The experience of this internship is not only a moment to complement further independent research and to have hands-on curatorial practice, but is also an opportunity to build real-world relationships and future collaborations with colleagues and professionals involved in the expanded curatorial field.
Thesis
The course culminates in an independent thesis, conceived as an academically rigorous written research for an original exhibition project. The output will be a Catalogue containing an essay explaining the conceptual framework, the elements to be explored, the concept for display within a determined space, and a complete and thorough description of all the topics required to materialize the exhibition project. During all of the modules, class time will be dedicated to the thesis theme with faculty tutors.
Pippo Ciorra
Senior Curator of Architecture at the MAXXI in Rome. Appointed member for the International Jury of La Biennale di Venezia 2016.
Pedro Gadanho
Artistic Director of the Museu de Arte, Arquitectura e Tecnologia (MAAT) in Lisbon, former Curator of Architecture at the Museum of Modern Art (MoMA).
Andres Lepik
Director of the Architekturmuseum der Technischen Universität München, Germany.
Angela Mengoni
PHD in Semiotics, Professor of Visual Semiotics and Image Theory.
James Taylor-Foster
European Editor-at-Large, ArchDaily. Co-curator, In Therapy (2016 Nordic Pavilion, La Biennale di Venezia).
Mateo Eiletz
Architect, Programme Head, specialised in exhibition design and management for National Participations at La Biennale di Venezia.
Malvina Borgherini
Architect, Professor, Director of the Multimedia lab at the Università IUAV di Venezia.
Agnes Kohlmeyer
Curator and Writer of Art, Professor of Visual Arts.
Angelo Maggi
Architect, Professor of History of Architecture through Photography, Cinema and Visual Communication.
Carmelo Marabello
Phd in Anthropology, Professor of Theory of Media and Anthropology of the Images.
Christoph Pourtois
Exhibition Manager for the MAXXI in Rome, La Biennale di Venezia and the Victoria and Albert Museum.
Luka Skansi
Architectural Historian, Curator and Writer. Guest Curator at La Biennale di Venezia 2014. Co-Curator at MAO (Slovenian Museum of Architecture and Design).